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Joseph Addison

Spectator

No. 223.           Thursday           November 15, 1711


O suavis anima! qualem te dicam bonam
Antehac fuisse, tales cùm sint reliquiae!

         PHAED. iii. 1. 5.

O sweet soul! how good must you have been heretofore,
when your remains are so delicious!

WHEN I reflect upon the various fate of those multitudes of ancient writers who flourished in Greece and Italy, I consider time as an immense ocean, in which many noble authors are entirely swallowed up, many very much shattered and damaged, some quite disjointed and broken into pieces, while some have wholly escaped the common wreck; but the number of the last is very small,

Apparent rari nantes in gurgite vasto.
         VIRG. AEN. i. 122.

One here and there floats on the vast abyss.

Among the mutilated poets of antiquity there is none whose fragments are so beautiful as those of Sappho. They give us a taste of her way of writing, which is perfectly conformable with that extraordinary character we find of her in the remarks of those great critics who were conversant with her works when they were entire. One may see by what is left of them, that she followed nature in all her thoughts, without descending to those little points, conceits, and turns of wit with which many of our modern lyrics are so miserably infected. Her soul seems to have been made up of love and poetry. She felt the passion in all its warmth, and described it in all its symptoms. She is called by ancient authors the tenth muse; and by Plutarch is compared to Cacus the son of Vulcan, who breathed out nothing but flame. I do not know, by the character that is given of her works, whether it is not for the benefit of mankind that they are lost. They were filled with such bewitching tenderness and rapture, that it might have been dangerous to have given them a reading.

An inconstant lover, called Phaon, occasioned great calamities to this poetical lady. She fell desparately in love with him, and took a voyage into Sicily, in pursuit of him, he having withdrawn himself thither on purpose to avoid her. It was in that island, and on this occasion, she is supposed to have made the Hymn to Venus, with a translation of which I shall present my reader. Her hymn was ineffectual for the procuring that happiness which she prayed for in it. Phaon was still obdurate, and Sappho so transported with the violence of her passion, that she was resolved to get rid of it at any price.

There was a promontory in Acarnania called Leucate, on the top of which was a little temple dedicated to Apollo. In this temple it was usual for despairing lovers to make their vows in secret, and afterwards to fling themselves from the top of the precipice into the sea, where they were sometimes taken up alive. This place was therefore called the Lover's Leap: and whether or no the fright they had been in, or the resolution that could push them to so dreadful a remedy, or the bruises which they often received in their fall, banished all the tender sentiments of love, and gave their spirits another turn; those who had taken this leap were observed never to relapse into that passion. Sappho tried the cure, but perished in the experiment.

After having given this short account of Sappho, so far as it regards the following Ode, I shall subjoin the translation of it as it was sent me by a friend, whose admirable Pastorals and Winter-piece have been already so well received. The reader will find in it that pathetic simplicity which is so peculiar to him, and so suitable to the ode he has here translated. This ode in the Greek, besides those beauties observed by Madam Dacier, has several harmonious turns in the words, which are not lost in the English. I must further add, that the translation has preserved every image and sentiment of Sappho, notwithstanding it has all the ease and spirit of an original. In a word, if the ladies have a mind to know the manner of writing practised by the so much celebrated Sappho, they may here see it in its genuine and natural beauty, without any foreign or affected ornaments.

     A HYMN TO VENUS

O Venus, beauty of the skies,
To whom a thousand temples rise,
Gaily false in gentle smiles,
Full of love-perplexing wiles:
O goddess! from my heart remove

The wasting cares and pains of love.
If ever thou hast kindly heard
A song in soft distress preferr'd,
Propitious to my tuneful vow,

0 gentle goddess! hear me now.
Descend, thou bright, immortal guest,
In all thy radiant charms confess'd.
Thou once didst leave almighty Jove,

And all the golden roofs above:
The car thy wanton sparrows drew,
Hovering in air they lightly flew;
As to my bower they wing'd their way,
I saw their quivering pinions play.

The birds dismiss'd, while you remain,
Bore back their empty car again:
Then you with looks divinely mild,
In every heavenly feature smiled,
And ask'd what new complaints I made,
And why I call'd you to my aid?

What frenzy in my bosom raged,
And by what cure to be assuaged ?
What gentle youth I would allure,
Whom in my artful toils secure?

Who does thy tender heart subdue
Tell me, my Sappho, tell me who?
Though now he shuns thy longing arms,
He soon shall court thy slighted charms;

Though now thy offerings he despise,
He soon to thee shall sacrifice;
Though now he freeze, he soon shall burn,
And be thy victim in his turn.

Celestial visitant, once more
Thy needful presence I implore!
In pity come, and ease my grief,
Bring my distemper'd soul relief,
Favour thy suppliant's hidden fires,
And give me all my heart desires.

Madam Dacier observes, there is something very pretty in that circumstance of this ode, wherein Venus is described as sending away her chariot upon her arrival at Sappho's lodgings, to denote that it was not a short transient visit which she intended to make her. This ode was preserved by an eminent Greek critic, who inserted it entire in his works, as a pattern of perfection in the structure of it.

Longinus has quoted another ode of this great poetess, which is likewise admirable in its kind, and has been translated by the same hand with the foregoing one. I shall oblige my reader with it in another paper. In the meanwhile, I cannot but wonder, that these two finished pieces have never been attempted before by any of our countrymen. But the truth of it is, the compositions of the ancients, which have not in them any of those unnatural witticisms that are the delight of ordinary readers, are extremely difficult to render into another tongue, so as the beauties of the original may not appear weak and faded in the translation.


C

Scanned by Agathon (RSB) from British Essayists: with Prefaces Historical and Biographical, by A. Chalmers, F.S.A. Boston: Little, Brown and Company, 1855. vol. 7. Indexed in Chalmers as Addison, Account of Sappho; Her Hymn to Venus, Am. Phillips.




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